Currently: Hong Kong’s Art Scene

Hong Kong is home to over 7 million people; its art scene isn’t as it could be. There aren’t many major contemporary and modern art museums in the city, and local interest in the arts isn’t that high. Yet, despite this, locals aren’t too bothered about the lack of art museums.

Art galleries in Hong Kong

There is a multitude of art galleries in Hong Kong. These spaces are different, but they all have something in common: their emphasis on contemporary art. In recent years, the art scene in Hong Kong has grown in leaps and bounds. The city is home to an abundance of independent art galleries, festivals, annual fairs, perfect girls and art nights.

The Pedder Building Art Gallery is a gorgeous and spacious space in Central. Its collection includes works by internationally renowned artists like Cy Twombly and John Chamberlain. The gallery also holds private tours and book launches. So whether you want to enjoy local art or check out some international artists, the Pedder Building Art Gallery has something to offer everyone.

Another popular destination in Hong Kong for art lovers is Saamlung Gallery, which opened in November 2011. The gallery set its home in an unassuming commercial building in Hong Kong. Its recent exhibition featured partially damaged canvases by the artist Kadar Brock. It is the art world’s equivalent of the secret bar in every city.

The Para/Site Art Space, Hong Kong’s first non-profit gallery, was founded in 1996. It has since become one of the region’s most active independent art institutions. “Crush” explores the darker side of love in its current group exhibitions. The show runs until late November. The Opera Gallery, founded by Gilles Dyan in 1994, has thirteen locations worldwide, including Hong Kong.

JC Contemporary gallery in Sham Shui Po has a collection of contemporary art. Its spread is over two floors, with 14-foot ceilings. The gallery features sculptures, large-scale installations, and works on paper. It is located in the Central Police Station complex and annually hosts six to eight contemporary exhibitions.

Prices of gallery spaces in Hong Kong

Prices of gallery spaces in Hong Kong vary greatly, depending on the location and availability. The Central District, Causeway Bay, and Kowloon Bay are the most popular and expensive locations. The space price determined by the number of artists, size, and duration of the rental. In-demand venues in these areas may be from HK$100,000 to HK$300,000 per day.

Renting gallery spaces in Hong Kong can be a good investment for any aspiring artist. Prices are flexible, and flexible project schedules are available. Depending on your needs, you can rent space for a single day, a few weeks, or even a few months. You can even rent an opening for a temporary exhibition to test the market. In addition, it allows you to connect with local artists and validate the potential of a particular neighborhood.

Since Hong Kong is an extremely densely populated city, the availability of affordable art space is limited. As a result, some artists have been moving their studios to industrial buildings for lower rental costs. In addition, these spaces are often more flexible, have higher limit loads, and are less restricted by their physical layout.

If you’re looking for a contemporary art gallery, there are a few options in Hong Kong. The Form Society in Sham Shui Po features local artists’ artwork and has 1300 square feet of space. Another gallery is the Para Site, a contemporary art space in Quarry Bay. This gallery also hosts workshops, guest talks, and seminars.

Political barriers

Hong Kong’s art scene has always been on the radar of international art critics, but political art, mainly, has put the city on the radar of the art world. The city has long had prestigious galleries, including Hanart TZ, run by Johnson Chang, the Osage Gallery, and 10 Xhamster Chancery Lane, as well as a growing number of mainland galleries. However, there are several political barriers in Hong Kong that artists have to overcome. One of the biggest is local politics, which many artists see infringing on their freedom. 

However, many Hong Kong artists are working in very subtle ways to deal with politics. One group, for example, has turned farming into a participatory art form. In addition, this group has viewed their return to the land as a means of reclaiming contested real estate.

Another political barrier to Hong Kong’s art scene is the lack of intellectual property rights. Hong Kong is home to many local arts groups and films, but the cultural content in the territory is not intellectual property. However, there are some ways to counter these challenges and make the art scene in the city more viable.

The latest legislative challenges to Hong Kong’s art scene include a national security law that chills free expression. In addition, visitors must undergo quarantine for seven days and show proof of three vaccinations before entering the city. Furthermore, transit conditions between Hong Kong and mainland China remain uncertain.

In response to these challenges, Hongkongers have adopted innovative self-defense tactics. For example, protesters use street signs that display images of Bauhinia flowers and the slogan “Liberate Hong Kong.” Other artists, meanwhile, disseminate their work anonymously on the encrypted messaging app Telegram. In this way, art and politics in Hong Kong reinforce the youth-led struggle against human rights abuses.

Exodus of galleries

With political unrest in the region, private collectors are shipping their art out of Hong Kong. Some estimates indicate more than PS1 billion worth of artwork has left the city. The government does not keep statistics on the number of people leaving the city permanently. However, the numbers show that the local art scene is thriving.

The city’s museums and galleries attempt to counteract the departure by finding more creative ways to connect with local artists. For example, the Odds and Ends Gallery recently collaborated with local artist Eric Kot to stage a group exhibition called “Cookout: Contemporary Kostenlose Pornos Condensation.” The show featured artwork by more than 20 local artists and explored the rich history of Hong Kong craftsmanship, including the culture of the city’s public housing estates.

While the city’s art scene has traditionally thrived on big-name, high-budget auctions, the city is now becoming more viable as a home for art galleries. New spaces built to meet art exhibitions’ functional needs better. This could help attract more international galleries to Hong Kong.

In addition to M+, two new institutions have opened in the last few years. These institutions have been bringing world-class international exhibitions and artists to Hong Kong. The Tai Kwun Center for Heritage and Art opened three years ago, and the Center for Heritage, Arts, and Textiles just opened two years ago.

Another notable newcomer is Gallery Ascend, founded in 2008. With the help of private collectors, the gallery is bringing up-and-coming artists to the attention of international audiences. It is also pushing them to more considerable heights. In August, the gallery will celebrate its second anniversary with a group show titled “Exodus” with 40 artists worldwide. Among the artists who will be featured are Kwang Hyun Kim, Kohei Yamada, Jun Makita, and Yoora Lee.

Should Hentai Be Considered Art?

The question, “Is hentai art?” raises several questions. Does hentai represent tentacle porn or a traditional form of art? What are its pros and cons? The Japanese word for erotic art is shunga, and some old-world shunga is considered classical art. For example, the 18th-century paintings of women doing it with an octopus aren’t shunga. The censorship once prohibited such content led to tentacle porn and hentai creation. Currently, tentacle monsters are the mainstay of hentai.

Tentacle porn

Tentacle porn is a subgenre of horror and science fiction. The genre focuses on a wide range of erotic content that isn’t necessarily sexually appealing. While many viewers find this content goofy and entertaining, others find it repelling and disgusting. Regardless of the audience, tentacle porn has a history that is well worth exploring. Let’s take a look at some examples.

In Japan, tentacle creatures were widely popular in erotica long before they became famous as a genre in Hollywood. One of the earliest examples of Shunga, a Japanese novel, was Dream of the Fisherman’s Wife by Katsushika Hokusai in 1814. The design has been adapted many times into different works, including an 1887 painting by David laity. Another early work depicting tentacle erotica is Sarah and the Octopus/Seventh Heaven by Masami Teraoka, you might even find some of this fine work at Xxnx.

Japanese censors were horrified by the scene but could not prohibit it because it did not break the censorship laws. The hentai genre has since gained popularity in Japan and elsewhere. In addition, the country’s affinity for the sea helped spur the rise of tentacle porn. But censorship still has a way to go. A genre is an art form that a broad audience can enjoy.

While tentacle erotica started in early 20th century pulps, it may have been born in Japan as early as 1814. However, Japanese artist Katsushika Hokusai‘s The Dream of the Fisherman’s Wife, a famous illustration of a female ama diver receiving pleasure from octopuses, is regarded as the most famous example of tentacle pinup artwork.

Baroque art

Despite a poor reputation, hentai is comparable to Baroque art as an art form. This is not surprising since Baroque paintings often depicted moments of ecstasy. In addition, many famous works of art of the time were based on the spiritual and spiritualist belief that God is one with nature. For example, Saint Therese often described her visions in sexual terms, and Bernini’s famous L’Estasi di Santa Teresa portrays an angel about to pierce the saint with an arrow.

The Baroque period in art history is also known for its use of internal cavities, details, and the depiction of torture. The combination of the monstrous and beautiful can be a stunning and detailed spectacle. Hentai’s works can depict inter-species sex scenes as well, and Baroque artists were masters of portraying even the most brutal death. Hentai has even influenced other genres and has reached international popularity.

Anime

In the Japanese written language, ideograms are used to represent both tangible objects and abstract concepts. These images are so familiar to the Japanese that they have no trouble understanding stories entirely based on appearances. Hentai artists can interpret these images’ meaning using symbolism, allowing them to create reports containing no words. The static images in hentai are usually read in sequence, and the meaning behind the pictures is usually a dream.

Japanese artists depict the girls wearing sailor suit-like uniforms, a code for junior and high school age. Some say that these girls are mature young women playing out their sexual fantasies. The girls also look smaller than males, and some hanime depicts pre-pubescent girls carrying stuffed animals. Hentai is one of the world’s most effective forms of child pornography.

While the Japanese government prohibits the representation of actual genitalia in its cartoons, hentai has long been a popular pastime among women who wish to break the traditional gender roles. Because of the obscenity laws in Japan, it is illegal to display actual genitalia in Japanese comics. Still, artists often compensate using violent imagery, bonds, and sex acts to depict these behaviors.

The primary purpose of hentai is to represent state ideals. It is also an escape into the world of motherhood for the young. In this way, the girls are seen as objects representing the state’s ideals. In addition, the images are painted in bright colors, which allows the spectator to feel close to the girls. While this is not always a good idea, it serves a purpose in the eyes of the Japanese government.

Anime artists

The hentai industry has been around for many years but is not often referred to as hentai in Japan. The industry is more commonly known as manga or seijin-anime, but it has many subgenres that can be considered art. The word “hentai” means “pervert” in Japanese. This type of art has the same number of subgenres as manga.

While anime artists are primarily known in Japan, the popularity of manga has also increased in America. It has even attracted conventions, and many hentai artists attend. Many hentai artists have made a successful career of it by creating manga versions of their favorite hentai series. Anime artists who aren’t familiar with hentai manga have adapted them to English.

The first animated films to air in the West were created in 1961 by Osamu Tezuka. His simplifying the process and limiting the number of frames was essential to establishing the anime style. In the following years, Tezuka’s staff founded several major anime studios. These artists are credited for creating the visual style we are familiar with today. And while the work is highly original, it is based on traditional stories, and many of these artists are still working today.

While many critics have called it child pornography, hentai is not considered child pornography in Japan, and much of it is still regarded as classic art. However, there have been some exceptions. For example, many significant mangakas began their careers in hentai comics and later moved on to the mainstream manga. Nevertheless, the popularity of hentai has not diminished.

Anime’s influence on hentai

Anime has been around for over a century, but its impact on hentai art is only recently being recognized. Its roots can be traced back to the early 1900s, when Japanese animation emerged as a dominant cultural force. Although early anime was not created using cel animation, artists still used methods such as chalkboard drawings, painting directly on film, and paper cutouts.

One of the major forces that helped anime reach a wider audience was the rise of home videos. It allowed anime fans to re-watch the shows they loved and spawned a new submarket of animated products, known as OAV (Original HQPorner Animated Video). OAV features more experimental storytelling and ambitious animation, and many viewers started consuming these products as entertainment for adults.

Although the quality of hentai artwork is often criticized, the style has many similarities to other genres of Japanese art. Baroque art, for example, often depicted sexual scenes to make their works look more authentic. In addition, many artists, including Bernini, portrayed the plight of a saint by depicting an angel about to shoot an arrow.

Even though there are no dedicated channels for anime outside of Japan, fans were able to import the films and add subtitles electronically. These efforts led to the creation of unofficial tape trading clubs. This trend continued into the 1990s, with the introduction of domestic licensors and the LaserDisc format. However, during that time, several companies created by Japanese parent companies failed to achieve widespread commercial success.

Asia’s power increases in the art industry among Hong Kong’s Art Basel

Asia’s place in the art industry – Hong Kong’s Art Basel

Art Basel Hong Kong is one of the most prominent contemporary art fairs globally and perhaps the most important art fair in the Asia-Pacific region. Our team maintains excellent working relationships with many of our galleries throughout the year and the regular Art Basel show in Hong Kong. We require 50% of the content of the Hong Kong exhibition to be 50% from galleries in Asia and the Asia Pacific. Art Basel Hong Kong considers where Asia is now regarding the art world and how to effectively contribute to Asia’s infrastructure and help strengthen Asia’s thriving arts scene.

We talked with Adelina Ooy, Art Basel Asia Hentai Director, about empowering Asian artists and the public and communicating untold stories through art. The high concentration of Asian galleries and artists provides a sense of discovery for international audiences, institutions, collectors, and people in the art world. Asian art practitioners have a lot to discover and learn as well.

Last but not least, Asians are showing interest in art from other parts of Asia. As more and more collectors from China, Indonesia, and even India pop up worldwide, the world of upscale galleries and contemporary art fairs has found a solid footing in Asia. However, declining growth seems to be at the center of discussion among collectors, art marketers, and art lovers worldwide at the start of the Asian Contemporary Art Fair, Art Central, and Art Basel in Hong Kong.

ArtDependence | Art Basel shifts Hong Kong fair from March to May 2021

The Chinese economy in the Asian art market.

Even during a global economic downturn, Middle Kingdom collectors show no signs of fatigue in their quest to collect art. While art sales in China may have slipped to second place last year, behind the U.S., Chinese collectors have made a comeback in the first half of this year. Of particular note, sales to Chinese buyers are returning to levels seen in 2011, when China became the world’s largest art market.

Jonathan Stone, head and president of Asia Art International at Christie’s, said classical Chinese paintings and calligraphy were being sold against trends, noting that Chinese art collectors accounted for 19 percent of the Asian art market. The trend toward more homogenization has made some critics uncomfortable, such as Larry Warsh, an American publisher and Chinese art collector. They have criticized organizers and exhibitors for the lack of focus on art fairs at the regional level.

The pressure on retailers to increase sales means art fairs are not the best place to see curated exhibits. However, historic art displays will be appreciated by the public, not just in Asia. Fiona Romer, senior director at Hauser & Wirth, said the live broadcast of Art Basel has also brought new collectors to the galleries’ attention. Art alone is not enough: novelty is a great speaking schedule. Art magazine Georgina Adams, Serpentine Gallery co-director Hans Ulrich Obrist, and ArtAsiaPacific editor-in-chief Elaine Ng are just some of the speakers and speakers invited to Hong Kong this week.

Describing attendees, Leng Lin said the fair continues to attract many open-minded, cosmopolitan buyers with an unprecedented appetite for buying contemporary art.

A steady stream of visitors, all wearing masks, browsed the works in the large convention center as buyer representatives used smartphones on selfie sticks to zoom in on specific items for overseas buyers.

Several booths were dedicated to individual artists at the Philippine Art Fair, which decided to stay local and show only Philippine galleries and artists. Art Beijing was a combination of modern and classical art in 150 galleries and art centers intending to expand the Chinese art market. Art Basel Hong Kong was adapted by hosting its first hybrid show in Hong Kong last year, a clever mix of physical and digital achieved through virtual reality and satellite kiosks run by locals.

The fair has helped establish Hong Kong as one of the world’s leading arts hubs as other related fairs, and art events spring up around it, creating Hong Kong Art Week. For the seventh year in a row, this wildly successful event has paved the way for fairs across South Asia, including the Kochi Biennale and the Indian Art Festival in Mumbai.

Capsule Shanghai, for example, asked Hong Kong artist Lily Chan, winner of the BMW Art Journey 2020, to take care of Hong Kong artist Lily Chan’s Shanghai booth in the exhibition opening sector. According to Blouin Artinfo, nhentai, Sotheby’s and Christie’s capitalized on Hong Kong’s unique business-oriented port status — with low tax rates and no tariffs on the art trade. By hosting art and luxury sales that showed that Hong Kong is a global audience. Given the incentives, the wealthy Chinese, and the fact that Asia Week New York and London are no longer the only centers for the arts in the world, it’s no wonder Asia Week New York’s sales aren’t doing so well due to suspended exhibitions.

Along with lavish weddings and the world’s greatest luxury craze, many wealthy Asians are apparently investing their money in amassing extensive art collections.

About 100 galleries from 23 countries are participating, half the pre-pandemic level, with more joining through online viewing rooms.

The opinion of one of the Chinese collectors from the USA, Lawrence Chu, should also be noted that the artist and art should not be marked by national or geographical perception. A good artist is appreciated regardless of whether or not he has something to say and offer to the world.

One of the latest exhibits to open at the museum is “Visions of Gender,” which includes examples of gender fluidity and subversion in Asian art. In addition, some of the exhibits are dedicated to video storytelling, expressing how art in the museum interns see the genre specifically. ArtSpeak Interns is also sparking the conversation. Innovative teens have deepened their skill and cultural experience through collaborations with Asian Art Museums and the local art community.

The painting by Wilson Shihas hanime is just one of 16 artworks featured at Seeing gender, the first Asian Art Museum of San Francisco exhibit on gender and sexuality at the Asian Art Museum of San Francisco. Faith Ringgold Retrospective opens in New York today at the New Museum; Ben Luke talks with Massimiliano Gioni, exhibition curator, about the tremendous breadth of the 91-year-old artists’ work. These four new curators have brought together works of art from different cultures and periods to show how a genre-fluid or fixed, divine or sensual, subversive or orthodox—is constructed, represented, and represented in Asian art in provocative and inspiring ways.

Revisión de Art Basel Hong Kong 2017, China | HiSoUR Arte Cultura Historia

After Emily’s departure, a picture of a toxic atmosphere emerged in the museum’s contemporary art department, a dynamic known to the museum management.

On December 20, union members sent a letter to the museum management demanding that Chen be removed from his position as head of the contemporary art department.

Chen was a local celebrity in the art world but not the most obvious candidate. So when Chen joined the museum in January 2019, the selection of museums for his first piece of contemporary art sparked a flurry of media enthusiasm.

The Asian Art Museums Union administration says museum workers rarely file complaints. Therefore, if there is no recorded incident to investigate, the museum cannot be accused of ignoring a more significant issue.

Asia’s importance in the Art industry

Hong Kong is now the Chinese capital of contemporary art. Accounting for 48% of Chinese auction sales, ahead of Beijing (37%) and Shanghai (8%).

Hong Kong has a unique position in the industrial chain as it is a free port. Bilingual and has mature and skilled craftsmen. With over 1,000 galleries and some of the best auction houses in the world.

Although China generated $11.4 billion annually (or $18-20, depending on the report cited). Accounted for 9% of total sales in the ten years to 2007, demonstrations of the rapid growth of the Asian market are finite.

Despite the slowdown in Chinese auction sales in the contemporary art segment (down 13%). Asia remains a significant world power thanks to developing the international and prestigious Hong Kong market. Hong Kong accounted for half (46%) of all contemporary art markets in Asia and 14% of the global market. Its exceptional performance in 2018-19 (56%) puts it ahead of Beijing.

China’s annual GDP growth fell last year to its lowest level since 1992. A decline related to an ongoing trade war with the United States. After slumping during the financial crisis, growth climbed to 10.6 per cent in 2010. The same year, the Greater China region, including mainland China, Hong Kong, Macau, and Taiwan, became the world’s largest art market.

While the US remains the primary growth engine for the markets. Including to sites like XNXX. The Asia market is growing and diversifying under the direction of Hong Kong, which is building bridges between Asia and the West. While the Western art market is still in recovery mode, the Asia-Pacific market is advancing.

Worldwide presence

In 2014, Sotheby’s Hong Kong team sold $47.5 million worth of contemporary Asian art in a single day. Young artists such as Salman Toor, Nicolas Party, Amoako Boafo, Shara Hughes, Dana Schutz, the late Matthew Wong, and the high prices for older names like Yayoi Kusama, Yoshitomo Nara and Bernard Frize are a huge deal. The strong sales at Hong Kong’s Christies on December 2 and the 20th Century Hong Kong-New York Relay Auctions were noteworthy, buoyant in Asia and the United States. But never surpassing the millions of daily visitors on Porn hub from the Asian continent.

Two years later, Sotheby made $604 million in its Asian sales in New York in September 2016. Data collected by Artnet in 2014 showed a 9% increase in auction houses dealing in Chinese art. The most significant leap in Asian art history.

Over the past decade, collectors in Southeast Asia have begun to turn their attention to the local art scene to create new social models for collecting. Countless art companies have thought outside the box to promote and present contemporary art.

New startups and broad exposure

There has also been a significant increase in online startups in the art market offering a wide range of services. From online auctions and art sales to artist information, interviews and art market news. Paddle8, Artsy, Auctionata and many Western startups in the art market offering such services are becoming strong.

As Asia's Art Market Begins to Reopen, Here's Everything You Need to Know  About Three of Its Most Vibrant (and Underrated) Art Capitals

The Chinese art market is never the only indicator of the growing collector base in China and its purchasing power on a given day. But it is not the slow scene marked by the fierce interest in Western contemporary and impressionist art that drives sales of individual works to the hundreds of millions of dollars. If the regular multi-million dollar transactions do not stabilize, Asia’s art market will prove its sophistication.

Collectors Eric Bunnag Booth and his stepfather Jean-Michel Beurdeley present their 600-member collection at the 32,000 square meter Maiiam Contemporary Art Museum in Chiang Mai. You might even catch a glimpse from artists showcasing their work. Many of them used Chaturbate as a showcasing platform, broadening the showcasing platforms. Named the best new museum the Asia-Pacific region at the 2017 Leading Cultural Destinations Awards.

A few years ago, Petch Osathanugrah, the president of Bangkok University, announced plans to establish the Sansab Museum of Contemporary Art, known as the Dib Bangkok. To showcase his world-famous collection that includes works by international artists such as Damien Hirst and Frank Stella and Thai artists such as Rirkrit Tiravanija and Udomsak Krisanamis. Although local collectors in Thailand are relatively small compared to Taiwan. They are likely to grow as the Thai art market competes on the international stage.

https://twitter.com/SilverlensG/status/1396289937142546436

Emerging markets

Founder and editor C. A. Xuan Mai Ardia is a Vietnamese-Italian from Padua, Italy. Her articles have been published in Art Review, Asia Art Radar and Culture Trip. She has also worked on preserving the World Heritage Site in Rome and on contemporary art galleries at the University of London (UK). As well as in Shanghai and Ho Chi Minh City.

Some of Asia’s most enduring treasures include Fan Kuan’s Travellers on a Mountain Stream. Katsushika Hokusai’s Fugaku Sanjurokkei (36 views of Mount Fuji), and Basawan Akbar (Restraining an Enraged Elephant in Hawaii).

Rebecca Wei, president of Christie’s Asia, sees a more rational market emerging and room to expand her existing regional team of more than 200 employees. In her previous role as president, she was responsible for auctions, private sales and e-commerce in the region. During her tenure, Asian buyers contributed 25 per cent to Christie’s global sales. Driven by the opening of new galleries in Greater China. The consolidation of the company’s entire Asian business, including the solid Chinese market. Hong Kong and its direct customer management offices.

Art Power HK: an online platform that pushes through the Coronavirus crisis

Despite the coronavirus pandemic, the art community in Hong Kong stands strong and, in an effort to continue to showcase the work of many artist, they have launched Art Power HK. A platform that aims to battle against cancellations of art events due to the spread of Covid-19. 

Hong Kong is renowned for its impressive contributions to the art world. It is a city bustling with xhamster galleries, museums, auction houses, street art and many more cultural contributors which have created an impressive environment that vibrates with art and color in every corner. 

All the artistic and cultural activities have come to an unprecedented halt this year due to the coronavirus outbreak that has unleashed into the world. As a result, every effort made by the country’s government to stop the spread of the virus has affected public gatherings including art auctions, exhibitions and fairs.

To rise above the pandemic, many art institutions in Hong Kong such as Art Society HK, Asia Art Archive, Para Site, M+ Museum and CHAT (Centre for Heritage and Textiles), decided work together and launch an online platform to show the resilience of their art scene. 

In an attempt to maintain momentum for the arts in Hong Kong, and the tradition of Hong Kong’s art month which every year takes place in March, this initiative has gathered many collaborating institutions ranging from local museums, galleries, auction houses, art and cultural centers, universities, as well as media outlets. 

https://www.instagram.com/p/B-W1GOKl1c_/?utm_source=ig_web_copy_link

Through March, April and May, ART Power HK will consolidate xnxx, promote and present arts initiatives in the city to a wider online community with the use of technology, since large public gatherings are being avoided due to the virus. This platform will include events that have been cancelled, postponed and are still going ahead.

Some of the main features that will be hosted online range from recorded and live-streamed exhibition walkthroughs, interviews with Hong Kong-based artists and collectors and online talks to studio visits, in addition to webinars featuring both local and global guests. 

“The desire to reassert and re-energise Hong Kong’s vibrant arts sector in preparation for a post-virus comeback has been the driving energy behind this initiative,” said the director of M+, Suhanya Raffel. She says that the community-based campaign hopes to focus Hong Kong and international audiences back on the great work being done in the city’s art scene.

This decision was motivated by the decision of Bordel69.com, Art Basel to launch online viewing rooms for their gallerists and dealers. However, Art Basel will be available only for the artists, investors and people who were supposed to attend the physical art fair as planned on March 20th. The viewing rooms will be open for the normal duration of the fair. 

On the other hand, Art Power aims at a more long-term project and it will be open to all the city’s cultural players. According to its press release, the platform will also host in-person events in May, such as talks, exhibition openings, VIP events, and workshops. 

Speaking of Asia Society Hong Kong Center’s role in hosting the platform, executive director S. Alice Mong commented: “We believe that the arts connect. It is testament to both the power of the arts in Hong Kong and the city’s can-do attitude that partners from every sector of the industry have come on board to support the ART Power HK initiative.”

https://www.instagram.com/p/B-goe4jlQM7/?utm_source=ig_web_copy_link

ART Power HK is currently inviting all stakeholders in the city’s art community to get involved in this expansive online initiative, leveraging on the immense http:///www.pornpolis.blog support the campaign has garnered so far. They even started a crowdfunding campaign to spark the support of the community, as it is a non-commercial and globally accessible platform. 

Even important auction houses such as Bonhams, Christie’s, and Phillips are now on board, excited to encourage the strengthening of the art market through these emerging digital initiatives and to be able to expand and reach a more international audience. 

“Art happens 365 days of the year in Hong Kong. It happens through collecting, patronage, research, making, looking and so many other expressions. This initiative is a platform to showcase that and is another example of why art thrives here—it is a community that takes initiative and shows up for each other. xnxx I believe there has never been a more necessary moment for contemporary art in Asia,” said Alexandra Seno, Head of Development at Asia Art Archive.

Many of these institutions have said that nothing really replaces the experience of living art through the human senses, by living it, experiencing it live it is something that could never be compared to watching it online. Nevertheless, Art Power HK hopes to inspire and that this initiative can help to fill the cultural vacuum and demonstrate that Hong Kong’s cultural life remains active and connected with the art community, eventually to be able to engage with the audience in a post virus comeback. 

Art Galleries move to virtual rooms after coronavirus outbreak

This year, after the coronavirus outbreak and the government regulations to prevent the spread of the virus, Art Basel, now one of the most important art fairs in the world and specially in Hong Kong, has been cancelled and instead, it will showcase more than 2000 pieces in online viewing rooms. 

The first week of march, Hong Kong shut down schools, museums and started limiting flights from China and from this decision, many of the participants, investors and attendees of Art Basel, started to call about the event expressing their thoughts on its possible health implications and risks. 

Art Basel 2020 was supposed to run from March 17 through March 21. However, the decision was made to cancel the fair, even after considering just postponing it, since the advice from government health institutions, gallerists, partners and external experts, was that cancelling was the best option. 

Bernd Stadlwieser, chief executive of MCH Group, the Swiss-based company behind the fair, expressed his concern and mentioned numerous factors for cancelling, including the health and safety of fair workers and visitors, the logistical challenges of mounting the event, and the escalating difficulties of travel to Hong Kong, which reported its first fatality from the virus on Feb. 3.

Despite this decision, Art Basel now has decided to offer an online fair. Using the development of dealer David Zwirner of virtual viewing rooms. The 230 dealers who planned on bringing their work to Asia will instead offer around 2,000 pieces through the virtual fair with an estimated value of $270 million, including 70 items over $1 million.

When talking about online developments in the coronavirus era, we can think of many companies who have evolved and adapted to fulfil the new customers’ shopping behaviours and needs. Amazon, Rappi, UberEats, are just examples of brands who have taken advantage of the coronavirus situation. 

Moreover, the main challenge has been for industries that require people gatherings and interactions. Air travel, tourism, sports games, concerts, and art are specially being hurt by all of the shelter-in-place, voluntary quarantines and all of the restrictions that have dominated for the past months. 

In this era, companies have had to adapt to their customers. And now, it was turn for the art world to change. 

Many in the art world say an online viewing room cannot replace the experience of encountering a painting or a sculpture in person. But collectors have grown comfortable buying based on PDF images of artists they know from galleries they trust. Both galleries and auction houses have even made some significant sales based on images posted on Instagram. And when visiting a work of art becomes impossible, a digital substitute is better than not seeing the art at all. 

The value of online galleries is that there is more information and historical context on a piece than on a physical gallery, and even being able to reach rare collectors who can’t easily travel to galleries or art fairs; and leaving much less of a carbon footprint by eliminating shipping and flights to fairs.

What is more, by removing the real spaces, and people interaction, some of the intimidating factors of entering a gallery or auction are also removed from art purchases, making the process more democratic and giving equal opportunities for all.

Such virtual buying experiences may become increasingly necessary for the art market, given current restrictions on congregating. The Tefaf Maastricht fair closed after an exhibitor tested positive for the coronavirus. Art Cologne, the world’s oldest art fair, has been postponed from April to November. Whether Frieze New York and Tefaf New York Spring will take place in May, as planned, or Art Basel Switzerland in June, has yet to be determined. 

https://twitter.com/ArtBasel/status/1242738262415998979?s=20

The whole art landscape is still uncertain. After the Metropolitan Museum of Art announced its decision to close temporarily, the rest of the art world fell like dominoes, with one major museum after another announcing their decisions to close, as well as just about every gallery — though some are shifting to appointment-only visitation. 

Galleries, artists and museums are adjusting to this new reality. Not all of those in the Hong Kong fair have signed on for the online version. However, some galleries are encouraging potential visitors “to visit and explore our exhibitions online,” as well as world renowned museums such as the Reina Sofia, MOMA, among others, are encouraging people to take on the virtual tours and many online materials they have made available for the public during this difficult times. 

There have been amazing changes in the way we work, learn, buy and communicate with others. All of which has been a sign of proof that we can do things no one had expected and that will probably move the course of history from now on. 

The art situation is adapting and using technologies that will take their business further than ever before. The coronavirus pandemic has only shown the amazing ability of mankind to adapt and do everything to survive. With the help of technology, we are just a step closer from a new era in business, art and the way we live. 

Hidden art corners in Hong Kong

We all know that Hong Kong is a growing centre of art. From street art, small art galleries to the most remote coffee shop, art can be found in even the most unexpected places. Despite having the most luxurious and exclusive galleries in the world, China is a blank canvas for budding artists, who can create exhibition venues where you least expect it, without lining our pockets.

One of these hidden spaces to see Hong Kong’s urban art begins at the Jen Hong Kong by Shangri-la hotel. Even though we might think that seeing art on the walls of a hotel does not sound remotely attractive, this hotel has struggled to get rid of the paradigms and turn art into its main attraction. This hotel has made collaborations with the Affordable Art Fair to exhibit incredible photographs that showcase rare moments of the Western District and its classic tramways. It definitely has become a place worth visiting when looking for unconventional art in Hong Kong. 

While you are at it, you can also stop by the Gallery by the Harbour, a shopping centre always full of eager shoppers in every one of its great stores. Hidden inside this huge mall is a glass-covered gallery with the best view of Victoria Harbour. The pieces shown here strive to be accessible, featuring both popular and notable artists, a perfect escape from the world of consumerism and a luminous entrance to the world of art. 

After this exciting tour through the bustling streets, you can seek refuge in a small but modern cafeteria, another space for art, where you can find good coffee, books, music and even a workshop, all in the same afternoon. This atmosphere is usually frequented by artists causing great waves in the local art scene, where they offer intimate talks about culture and art to anyone who is interested. 

Just as there are many of these spaces where art and life in Japan converge, the streets are also brimming with art. You can simply walk around and find numerous explosions of color on the walls. For example, initiatives such as  HK Walls have emerged to promote street art and provide local and foreign artists with a space to transform. 

Just by walking around Soho, Central and the Western District you can see how many colorful contributions there are. In Elgin Street, Central, there is a mural that clearly depicts the problem of food waste in bright colors, initially a piece that was done in collaboration with the Feeding Hong Kong organization by artists Dan Kitchner and Charles Williams (TimeOut Hong Kong). No doubt a great place to admire or for the mandatory Instagram photo. 

https://www.instagram.com/p/BlKgDgBg0BP/?utm_source=ig_web_copy_link

While you’re on Elgin Street, head over to Seoul Bros, a Korean fusion restaurant on the same avenue in SoHO Central, Hong Kong, and enjoy some sweet and sour or crispy chicken sandwiches and delight both your taste buds and sight with the mural that adorns its façade. 

https://www.instagram.com/p/B3s8oC8jDpR/?utm_source=ig_web_copy_link

You’re sure bound to discover countless murals and incredible art pieces if you decide to tour the city on foot, but one mural you can’t miss is the one on the corner of Graham Street and Hollywood Road, a mural made famous by the thousands of tourists who visit it every year. Created by local artist Alex Croft, it illustrates in a colorful way some buildings and houses of the ancient chinese style, it was made as a commission from the lifestyle brand GOD, a store just around the corner, but it is nowadays a tourist landmark that characterizes Hollywood Road. 

Just like the great metropolis it is, Hong Kong has something for everyone. Club Third, to begin with, is dedicated to promoting culture and artistic expression. Deep down an alley in Sai Yiung Pun, there is an indescribable location with an art mix that ranges from paintings and photographs by artists with multicultural backgrounds, the LGBT+ community, and many other different artists, that fill such a strange place with a unique artistic combination, rare to find anywhere else in the world. 

Hong Kong has a piece of art for every person’s taste. For instance, you can also find wonderful and original shops like Mankha, which mix art with everyday objects and turn them into curious pieces created by independent artists or exclusive designs by renowned artists. You can go there with the purpose of laying your hands on a piece that you wouldn’t find otherwise, or simply visit the exhibitions that are made in the hall of this place, showcasing from photographs and street art, to impressive tattoo artists and even performance artists, such as the famous staging of NYOTAIMORI TOKYO, the team responsible for the art of decorating and eating sushi from the body of a naked woman. 

Endless mysteries and treasures are hidden within the vastness of Hong Kong, waiting to be discovered. A surprise can await wherever you go to eat, shop, drink a coffee or simply walk through its streets. That is the magic that has been filling Hong Kong, and that is worth knowing and talking about. 

Hong Kong International Art Fair

Hong Kong International Art Fair best known as Art HK, since its creation in 2008, and after its merger with Art Basel, has been established as one of the most renowned art exhibition centres in the world. Gathering over 242 international galleries, numerous artists and even more pieces of modern and contemporary art for an impressive event that takes place every year.

This year, Art Basel takes place from the 19th to 21st of March 2020 at the Hong Kong Convention and Exhibition Centre, and will showcase art from the Asian and the world’s leading Modern and contemporary art galleries, displaying paintings, sculptures, drawings, installations, photographs, film, video and digital artworks from the 20th and 21st centuries.

If you are estranged from Chinese culture, this is an event that should not be missed, since it portrays an image of how modern art is conceived in China, as well as a glance at future trends in artistic currents and where we should turn our attention to in the years to come. This is not said lightly, as Hong Kong’s art scene has exponentially grown to one on the largest art markets in the world, just behind London and New York.

Art HK was brought to life during the time of global economic crisis, when few of the most important galleries wanted to invest in expanding their coverage to the East and start a very expensive venture overseas. It was a way to spark the interest of foreign investors in newly developing Chinese art, and as the first exhibition in 2008 was a success, Art Basel decided to buy out Art HK, taking it to exponential growth and attracting even the most veteran art galleries such as White Cube, Gagosian and Lehmann Maupin. 

This art explosion in Hong Kong brought out the artistic side of China, turning the streets into a white canvas for all cultural expressions. And as an aspiring centre of art and culture such as New York and London, every time you can find that there are more and more projects to take art in China to the next level.  

There is an obvious appeal to Art Basel, as it is taking coverage of a large piece of the world which is still uncharted territory for the art market. And it also has a different culture and history from what is often seen in most modern and contemporary art museums all over the world. The pieces resulting from that have been highly valued in auction houses like Sotheby’s and Christie’s, setting new global records. 

It is also well known that Hong Kong is another one of the economic capitals in the world, an important city for business transactions, companies and investments. This has only bolstered its art venture, turning heads with major projects such as the H Queen’s tower, an architectural icon in midtown Hong Kong, designed to be the headquarter of art and lifestyle:

“The development houses non-traditional spaces for exhibition with the interest of promoting the arts as well as expanding the audience for art.”

This brand-new building was inaugurated on 2018 with unique skyscraping galleries from international names and an entire ground floor of pure exhibition space. The H Queen’s focuses also on luxury retail and it is a perfect representation of Hong Kong’s intentions of turning into the metropolis of modern art and luxury. 

In spite of every effort mentioned above, all the major investments are placed in private projects, leaving the air filled with the idea that art is nothing more than business, when it is a common and global expression of humanity which should always bring people together. 

“Hong Kong is a big art market, but there’s a huge gap between the art market and practices in the community,” said Vivienne Chow, an art critic and founder of the Hong Kong-based Cultural Journalism Campus (NYT)

There is a general lack of other relevant museums available for the public and The Hong Kong museum of art, the city’s only public art museum, is undergoing renovations throughout the upcoming years, and part of the changes include bringing more locally sourced pieces of art, instead of what it had been showing:

Maria Mok, the Hong Kong Museum of Art’s curator of modern art, said that there has been a curatorial shift from showing “big brand names, blockbusters, mostly from the West,” to including more local talent and “down-to-earth programming.” (NYT)

However, this is all set to change in 2020-2021 with the opening of M+ Museum of Visual Culture, an impressive world-class facility designed by the multi-national group of architects Herzog and De Meuron. This site is planned to connect with the Airport Express via an underground tunnel “in an effort to challenge artists and curators with an unprecedented exhibition space” (Archdaily). M+ will certainly be the centrepiece of the West Kowloon Cultural District and a radical place for the creation and exchange of the visual and preforming arts in Asia. 

In the meantime, the M+ Pavilion is currently in operation, and it has incredible success, already having been recipient to more than 1500 pieces such as Cultural Revolution artefacts, photographs of the Tiananmen Square crackdown and more. This museum is supported by the district’s chairman to be run free and independently, as Hong Kong is the Chinese gateway to the global market and as such, considered a special region with a free economy, open trade and most importantly for art, the freedom to openly exhibit controversial or even political content.

For this year’s edition, showing Art Basel’s commitment to the region, half of the participating galleries once again have exhibition spaces in Asia and Asia-Pacific. The show provides an in-depth overview of the region’s diversity through both historical material and cutting-edge works by established and emerging artists.

Hong Kong is upgrading, and with it, people are changing too. Bringing art to people opens up a door to creativity and expression and allowing it to develop is the best way to promote the cultural growth of a city. Now the roads are crowded with street art, music is rising from the pavement and dancers are making their own way through the skyscrapers, a city just waiting to unfold and settle into pure art.